Skip to main content
Face to Face 53
Face to Face 53
Face to Face 53

Face to Face 53

Artist (American, born 1956)
Date2001
MediumInk on paper
DimensionsOverall: 3 1/2 × 10in. (8.9 × 25.4cm)
ClassificationsART
Credit LineMuseum Purchase
Object number2003.4.4
DescriptionSlightly blurry image of artist's right hand, holding a pen. Image taken with a pinhole camera held in the artist's mouth.
On View
Not on view
Collections
Copyright© Ann Hamilton
Label TextUpdated Version: For this project, Ann Hamilton took a series of unusually made photographs, using her mouth as a pinhole camera. It’s an unconventional process, to say the least. The mouth, Hamilton says, is the “place where speech exits the body,” but here becomes transformed into method for recording images, like sight. And, due to the shape of the open mouth during the exposure process, these photographs take the shape of an eye. Hamilton describes these face to face images as “a trace presence of standing or sitting ‘face to face’ with a person or landscape [which] becomes the pupil in the eye shape created by one's mouth, much the same way as one sees a tiny image of oneself in the reflection of another person’s pupil.” Mary E. Murray Curator of Modern and Contemporary Art Ann Hamilton's artwork investigates the interface between our perceptions of the world and how we reveal our interior selves to the world. While language is a dominant form of human expression, Hamilton is fascinated by cognition through multiple senses and through the body. She has stated: "I'm very interested in the hierarchies of our habits of perception, and how …we trust [words to] have more legitimacy than other kinds of information or ways of knowing. I think that I'm just trying to take this access and tilt it, so that the felt-quality of the words is equal to, but not dominant over, other kinds of sensory perceptions." To this end, Hamilton created a series of images made from a pinhole camera held in her mouth. In this hyper-visual world, she finds that "eyes have become voracious like mouths." Hamilton describes the process: "I have made a set of pinhole cameras that fit in my mouth. So the act of speaking is like the act of letting light enter my mouth [or the act of seeing] … As I open my mouth I am exposing film. " Hamilton's Portal series document herself looking at a mirror while in the Face to Face series she photographs other persons, places, and objects. MEM 10/03
Face to Face. 15
Ann Hamilton
2001
Face to Face. 18
Ann Hamilton
2001
Face to Face 54
Ann Hamilton
2001
Portal 17
Ann Hamilton
1999
Portal 15
Ann Hamilton
1999
Whitecloth-muff-right
Ann Hamilton
1999
Wreathe
Ann Hamilton
2001
Speed, Lake Champlain
John Marin
1931
Freedom: A Fable
Kara Elizabeth Walker
1997
Portrait of a Couple Outdoors
Once-known artist
about 1875-1885
Wild Hyacinth or Bluebell
Alfred William Parsons
c. 1890
Three Studies
Emil Carlsen
1895-1979